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    <loc>https://www.outthereaudio.com/blog/field-recording-in-the-extreme-cold</loc>
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      <image:title>Blog - Field Recording in Extreme Cold: A Practical Guide to Gear, Cables &amp;amp; Power - Make it stand out</image:title>
      <image:caption>2 x DPA4006’s recording Emperor Penguins on a beautiful day in Eastern Antarctica</image:caption>
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      <image:title>Blog - Field Recording in Extreme Cold: A Practical Guide to Gear, Cables &amp;amp; Power - Make it stand out</image:title>
      <image:caption>Eastern Antarctica, on an expedition on top of the frozen sea ice, with a Haaglunds in the backfound.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6423d0c3f09fe32f8362f06b/eb7f74ba-564d-4ccc-b6aa-b587ac7227c1/IMG_4230.JPG</image:loc>
      <image:title>Blog - Field Recording in Extreme Cold: A Practical Guide to Gear, Cables &amp;amp; Power</image:title>
      <image:caption>Summary &amp; Conclusion By choosing mics with rated low-temperature performance, selecting cabling designed for flexibility in deep cold, carrying redundant battery chemistries that deliver in your desired ranges, and protecting your recorder and power source inside an insulated, heated housing, you can record in brutal environments and even operate gear in environments they were never intended for. There's no single "Antarctic-proof" setup, but with the proper preparation, testing, and redundancy, you can confidently work in some of the harshest environments on the planet. The more you understand how your gear behaves in the cold, the more freedom you'll have to focus on what you're really there for: capturing rare, powerful sounds that few people ever get the chance to hear. If you’ve enjoyed this blog, please subscribe to my newsletter below. Thanks for reading - Andy</image:caption>
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      <image:title>Blog - Field Recording in Extreme Cold: A Practical Guide to Gear, Cables &amp;amp; Power - Make it stand out</image:title>
      <image:caption>I used my DPA mic case as my protective housing for cold environements! Inside I keep my F6, battery and heat packs as well as a small insulative blanket to wrap around them right before recording. It also has a foam lining.</image:caption>
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      <image:title>Blog - Field Recording in Extreme Cold: A Practical Guide to Gear, Cables &amp;amp; Power</image:title>
      <image:caption>Typically, I use a USB-C Li-ion power bank for my drop rigs (Nitecore NPB4). It's excellent for its 20,000 mAh capacity and IP68 rating; however, Li-ion batteries are only rated for -10°C and experience significant capacity reduction at that temperature. So, I use insulation and even heat packs when working with these in cold temps, and they work amazingly.</image:caption>
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    <loc>https://www.outthereaudio.com/blog/recording-extreme-winds</loc>
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    <lastmod>2025-10-17</lastmod>
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      <image:title>Blog - How to Record In Extreme Winds - Make it stand out</image:title>
      <image:caption>Pulling your files into RX will immediately show you the extent of wind noise. Use this to inform your decisions on which files deserve your time and which may be problematic.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6423d0c3f09fe32f8362f06b/4d122a46-4a42-4736-890d-ec6601ea5a36/Screenshot+2025-10-12+at+11.42.27%E2%80%AFam.png</image:loc>
      <image:title>Blog - How to Record In Extreme Winds - Take note of your predicted wind speeds and direction. This will help you pack the right wind protection and inform your mic placement decisions when you arrive on location.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6423d0c3f09fe32f8362f06b/b4852020-07cd-4363-940d-2fcb5c724312/IMG_7419+2.JPG</image:loc>
      <image:title>Blog - How to Record In Extreme Winds - A Giant Petrel soars in the wind. These birds are so heavy that they cannot take flight without a significant run-up or a strong headwind.</image:title>
      <image:caption>Mics set up behind a large boulder to record the sound of wind battering the rock, shifting sands and rustling the tussock grasses.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6423d0c3f09fe32f8362f06b/74f40e6b-331e-4844-89d2-135df808e5d7/IMG_4005.jpg</image:loc>
      <image:title>Blog - How to Record In Extreme Winds - Wind protection and recording gear.</image:title>
      <image:caption>I use a blimp with a sock and a windjammer on any mic when recording winds.</image:caption>
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      <image:title>Blog - How to Record In Extreme Winds - Recording extreme winds is less about chasing a single ‘fix’ or ‘solution’ and more about stacking small, deliberate choices: the right wind protection, a sheltered mic placement, multiple takes from alternate positions, and the safety net of 32-bit recording. Over a year on a Sub-Antarctic island I learned that the best recordings come from accepting the limits of gear, prioritising location, and applying surgical, restrained editing only when necessary. The wind recording that feels most honest is usually the one that required the least work in post.</image:title>
      <image:caption>— Andy Leeder / Out There Audio p.s. If you enjoyed this article, subscribe to my newsletter below for monthly blogs and new sound releases.</image:caption>
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